limited reissue, half-speed mastered at abbey road studios, pressed on double vinyl, housed in a tri-fold sleeve.

gary beck well known from soma rec

acid versatility on purple marbled vinyl.

limited reissue on clear & blue splatter vinyl.

incl. frazi.er, charlie sparks and jacidorex remixes

reissue

fourth of five eps in possession’s next v/a installment.

2021 clear vinyl repress

limited transparent red vinyl 2xlp, 1 per customer

rudosa returns to his manchester based imprint, with a brand-new addition to the labels ever growing list of talented artists, now to include us based female techno queen – sara landry. rudosa has cementing his label quickly within the underground movement, after a string of successful releases from himself, as well as vas hosting some standout tracks from charlie sparks, hioll, blicz, balrog and slv.

dreamy electronic journey. tip!

pressed on 180 gram double vinyl.

part 3

repress! 12- + mp3 download code limited to 300

prins emanuels third lp, breathing hope & sentimentality. the album showcases a delicate mix of instrumental proficiency and a keen sense of space. all tracks have a very intuitive and organic feel, mixing medieval dance tempos with modern drum computers.

moments in time is gearing up for an exciting and busy schedule of releases in 2021, featuring some of the worlds greatest up and coming techno artists, this hand-picked compilation by the labels founder rudosa stands as a reminder of those rave-inspired memories we all long for. to be transported back to a particular feeling or >moment in time<.

hand-numbered transparent orange vinyl 12 inch limited to 300 copies + download code, 1 per customer maximal

bleak is back on cabrera with 4 powerful tracks.

20th anniversary reissue of the coldplay debut album. pressed on translucent yellow vinyl.

silver marbled vinyl in gatefold sleeve with poster and download code included.

limited clear vinyl

an electronic beat-driven side project created by android lagowski to release tracks on sleepers records.

half-speed remastered re-issue of the 1994 rolling stones album. pressing on black 180 gram double vinyl, housed in a gatefold sleeve

the companion album to the band’s 1979 film of the same name on 180 gram double vinyl.

londons sonic explorer seb rochford presents a new band and a new album. the vinyl lp includes a download code.

remastered reissue of the 3rd kim wilde album, originally released in 1983. limited first pressing on blue vinyl.

lp+cd edition with 140g black vinyl in printed cardboard sleeve. printed inner-sleeve. cd included. original packaging strictly reproduced.

percy filth presents his new vibranium deluxe project on limited pink coloured vinyl.

new lp incl download

sebastian is back after 8 years with a new album. the limited deluxe edition is pressed on solid pink double vinyl and comes with download code included.

third album by the lumineers on black double vinyl, housed in a die-cut gatefold sleeve.

marquez ill special priced double vinyl incl remixes by the glitz, tigerskin, sid lerock, m.in, & vector lovers

selected by marc hype & dj suspect

british-born, berlin-based electronica producer kamikaze space programme delivers his long-awaited debut album dead skin cells for osiris music

9th solo album from the head of legendary post-punk band orange juice.

the 1994 miami show for the first time in full length on triple vinyl - uncut, remixed and remastered.

there is a point where memory and vision meet. the point where sparks and vertigo are produced and where imaginary landscapes produce sounds and visions. from this friction of times and places are born the music of the common series 07 (las canchas). star maps, existential paths, fables and planetary vision are filtered in the living mixer of the producer marco erroi and returned in the form of soundscapes, sudden encounters and lightning strikes, beyond the known places. 200 limited copies!

too smooth christ returns to supergenius records and widens his singular approach to introspective dance music to new musical horizons. infinite fall dmz is a slow house jam built around a hypnotic and endless fm pattern and a strong chorus bass, emphasized by a myriad of shiny bittersweet 101 sparks. pheqs125, originally made for tsc current live act, triggered such keen reactions in clubs that we decided to cut it down. its an acidish banger, elaborated around a 303 pattern, a rave detuned bassline and a b-more breakbeat, tickled by synthetic voices. with its rainforest chords and melodies and its muffled breakbeat, the eponymous track with you in mind is a love declaration between balearic house and old-school jungle / idm. etoile closes the ep with its uk bass vibe, a combination of tribal drum patterns and a grime beat and narrative bassline which will attract you in some mysterious caverns where the magic monsters hide.

this hampshire & foat project should not come as too much of a surprise to those familiar withgreg& warren s music, influenced heavily by not just jazz but the library sound of the 60s and 70s along with film soundtracks from the same golden era.greg& warren are avid collectors of this music,gregsends me links night and day to lps he has picked up digging on his travels. this constant search sends him down new musical pathways and often sparks a whole new concepts for projects. warren andgregare both fiercely creative talented individuals which means we have to keep them working, a challenge for us all, but the music rewards the effort many times over. we had talked for a long time about doing a library style lp (somethinggregis very passionate about) so during different recording sessionsgreg& warren started laying down various tracks with a view to the lp we have here. side one is 5 tracks in very distinct styles, musical paintings for the big screen. the vast sound of the japanese influenced jasmine, the spaghetti western melancholy of mariposa lily, the call to action that is antonio s theme, the breezy vintage sports car in the sun that coastal drivepaints, and lost in nostalgia, a late night poirotesk piece. side 2 is a classic library suite, whichgregdescribes as a detective s theme with different variations on the motifs.

this ill little 10- release from ukokos got two reworks (not edits) that flips a classic steely dan track and a rare polish jazz-funk gem from krystyna pronko. watcha got twists steely dan into a fierce breakbeat nugget with a strong dance floor appeal while saison blends eu jazz-funk and funked up electronic layers that sparks memories of old school carl craig productions. just wait for the disco breakdown... bad ass!

er produzierte the strokes (this is it) und regina spektor, damon albarn, ian brown, ian astbury (the cult) und zuletzt die spanischen hinds, jetzt legt gordon raphael aus seattle mit sleep on the radio sein eigenes debütalbum vor. auf den 12 songs zeigt er sich inspiriert von bowies glam-rock-phase, den unnachahmlichen gitarrenriffs eines mick ronson, der glam-pop-perfektion der sparks und seiner liebe zu frank zappa, prog-rock und weirdo-sounds. und sein gesang klingt wie eine wundervoll-trübe version von peter perett/syd barrett.

following the release of his first twelve inches in 2016, andy fox is back with another exciting maxi-ep. a rich and diverse palette of 7 tracks occupies the record, touching on italo disco, some sparks of bass driven synthwave and the late 80s house sound. ritmo! is full of melodies, injecting beats and energy that create an addictive drive and momentum. the record is featuring an impressive list of artists as vocal collaboration as well, leading to an expressive journey that evolves throughout its infectious grooves and powerful 4/4s. it’s the dynamic and propulsive power sparked by the 80s sounds that makes ritmo! an album you would want in your collection, or on your decks while playing at the club.

few artforms are as apt to describing the fervour and tumult of human emotions as music is. songs transport us to real and imaginary places, living someone else s experiences as our own, connecting with thoughts and feelings through melodies, rhythm and words. as a producer working primarily with the tools of traditional hip-hop – samplers, records, synthesizers onra has distinguished himself over the past decade as one of the best of his generation, capable of creating vivid music that sparks the mind of the listener and brings them along to uniquely detailed spaces, both real and imagined

originally released in 1993 by the italian imprint minus habens records, -concrete jungle- is the second album by this seminal project of dirk ivens (the klinik, absolute body control). a work considered as groundbreaking by lot of fans of early 90s industrial, noise and ebm. there are few electro-pioneers that are still active and successful and mr. ivens is one of them, inspiring a lot of acts to follow in the past three decades. -concrete jungle- is being released for the first time on vinyl in a limited/numbered edition of 700 copies. double record including all the original tracks plus the -extended play- ep (1994) and some songs from old compilations. artwork based on the original design and presented on a deluxe gatefold sleeve with printed inner sleeves and numbered card.

6 track vinyl ep, cut at 45rpm, comes with download code included.

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?